Category: Japan

Bars in Japan: Whisky Bars

On my five-day visit to Japan with Suntory whiskies I hit over 20 bars. I think the best way to talk about them will be in groups. First up: Whisky Bars.

The difference between the various styles of bars is subtle and I'm defining them as I see them. I'll be describing whisky bars, cocktail bars, highball and standing bars, and pubs/clubs/dives. I only hit one or two izakaya places.

Whisky bars specialize in whisky, of course. Most of them have a huge range of single-malt scotch whisky (100 different bottles is a start) and also serve whisky highballs. Many have a cocktail list too, but typically these list just a few classic drinks like Martinis, Manhattans, and Gimlets. The focus is on whisky rocks and whisky highballs.

Whisky bars I didn't visit include ones with names like Bar Argyll, Bar Caol Ila, Bar Main Malt, Cask, Kask, and Malt House Islay. Many are associated with either Yamazaki or Nikka whisky and will serve a better selection of those whiskies than of the other brand. It's sort of like how fast food restaurants usually serve either Coke or Pepsi but not both.

Highlander, one of the bars in the fabulous Hotel Okura Tokyo, has red plaid carpet and a clubby, old-world look. I tried a few interesting whiskies there, including the stunning Hibiki 21 year old blended Japanese whisky.

(Image from the hotel's website.)

K6, in Kyoto near the Yamazaki whisky, is an upstairs bar with shelves around three sides that stocks 600 single malts! We had a nice chat with the bartender and a few unusual drams. And then we ordered haggis pizza, because if offered Scottish food in Italian format in a bar in Japan you just say yes.

Oil is in a special place in Tokyo called Shinjuku Golden Gai. It is full of tiny bars stacked on top of each other, many the size of a bedroom. Some welcome regulars only; others are open to tourists. Some of them you're practically climbing a latter to get into.

(Bar directory of Golden Gai.)

I got a feeling my hosts were not all that interested in taking me there, but there I went. We went to two bars, Oil and Bigri Bar (that I'll talk about later).

Oil serves two things for the most part: Jack Daniels and Triangle Shochu. You can buy a bottle and have it there waiting for you on your next visit. The bartender, who appears to be the main owner as his picture is all over the place, is a heavily-tattooed, long haired rock and roll type. The rest of the decor is dedicated to actor Yusaku Matsuda, who was in the 1989 movie Black Rain.

(Cartoon of the bartender.)

When I ordered a whisky on the rocks expecting scorn and derision from too-cool-for-school guy, he took a large, perfectly clear piece of ice, put it into a tumbler glass, carefully stirred it with a barspoon a full minute or so to cool the glass, and poured the whisky. Nicely done.

There are several bars called Yamazaki Bar so I'm not sure how to identify this one by address, but it was staffed with all women bartenders wearing suits. So it's not really a "hostess bar" where you are paying for female company.

Anyway, they do a very nice presentation for whisky on the rocks. They call it "tornado" style when they serve it with a few big pieces of ice in an oversized Bordeaux wine glass. Then you can have it "pierced"- they bring out a box of garnishes and you can choose from them. They include simple miniature roses, raspberries, lime/orange slices, mint, and you can dip any of the above in a little caramel or honey.

It was a classy, easy, and affordable way to make a drink on the rocks a little more special.

Next post: Cocktail bars!

November 21, 2011
A Visit to the Yamazaki Distillery in Japan

Yesterday I wrote about visiting the Hakushu distillery in Japan. Today I'll write about Suntory's other single-malt distillery, Yamazaki. It is located between Kyoto and Osaka, at the convergence of several rivers. I believe they said the distillery welcomes 100,000 visitors each year.

(Mount Fuji as seen from the train to Kyoto.)

The Yamazaki distillery was built in 1923 and launched its first whisky, the White Label, in 1929. That whisky is still made today.

The distillery location was chosen because of its water (as are most distilleries), also sought out by Sen no Rikyo, the inventor of the Japanese tea ceremony. One of his tea houses from the 1500s still stands nearby.

Like at Hakushu they import malted barley from Scotland, then grind it, mash it, ferment it, distill it, and age it on site. At Yamazaki they use a combination of wooden and stainless steel washbacks (fermentation vessels). They use the same yeasts as at Hakushu, but sometimes in different proportions.

They have six differently-shaped pairs of stills to make whiskies with many different flavor characteristics, further enhanced by aging in five different types of barrels.

Hogsheads (reassembled ex-bourbon barrels at a larger size), puncheons (large barrels made of new American oak), and Mizunara (Japanese oak) barrels are made at the cooperage in Japan at their grain distillery.

Spanish oak sherry butts are made for them in Spain, and ex-bourbon barrels are what they are.

Mizunara oak grows in the north of Japan, and sometimes in Hokkaido. I used to describe its flavor as similar to sandalwood incense, but on this visit I was tasting it more as a combination of sticky pine tree and cedar. Either way, it's got spice.

They still have a cask from 1924 in the warehouse (though they've swapped out the whisky) and you can see the Cadiz sherry stamp beneath the Yamazaki one.

We tasted whiskies aged in three types of oak: Mizunara, Spanish ex-sherry, and new American oak puncheons.

From the Yamazaki website, "White oak adds vanilla and coconut flavours during the aging process. Tannins and other polyphenols contained in Spanish oak casks leach into the whisky, imbuing it with a deeper reddish hue compared with white oak casks. Whiskies aged in Spanish oak casks typically have fruity, chocolate notes. Over long periods of aging the Japanese oak casks add a distinctively Eastern touch to the whisky, endowing it with sweet fragrances reminiscent of incense with a hint of citrus. This unique flavour has been gaining the Yamazaki brand new adherents around the world."

At Yamazaki they have six different still shapes, use five types of barrels, and barley at two peating levels. This adds up to 6x5x2 = 60 different whiskies produced at this distillery to be used in single malt and in blends.

Speaking of blends, the Hibiki blend is assembled at this distillery as well. (I think the lower-end blended whiskies that we don't get in the States are put together here too.) The blends have aged grain, column-distilled whiskies along with the single malts from the Hakushu and Yamazaki distilleries.

At the distillery, there is a tasting room where you can try a variety of distillery-only products like 100% sherry cask Yamazaki the 1980s and white dog.

They also have a library of their whisky experiments.

And an advertising museum. I wish they'd bring back Uncle Torys.

Now that we've talking about how they make Hakushu, Yamazaki, and Hibiki, I'll get into where and how to drink them in Japan over the next few posts.

November 18, 2011
A Visit to the Hakushu Distillery in Japan

I visited the Hakushu distillery owned by Suntory, located in the Yamanashi prefecture, about two hours by train from Tokyo in Japan. There is a new Hakushu single malt whisky on the US market.

As I mentioned in a previous post, Hakushu was built in 1973 and is located at a high elevation – 700 meters above sea level. (Scotland's highest distilleries are Dalwhinnie and Braeval, both about 355 meters.) On the train ride there, your ears are continually clogging as you change elevation. The distillery is on a large site to protect its water source, and doubles as a bird sanctuary.

The Yamazaki distillery used to grow at least some of its own grain up until around 1970, but now they import all their barley. It is grown and malted in Scotland and shipped to Japan. Suntory buys malted barley at two different peating levels; basically unpeated and at highly peated at at 25 ppm phenol content.

They grind the malted barley on site, then put it in the mash tun with hot water to expose the fermentable sugars and transfer it to the wooden washbacks for fermentation. They ferment it using both brewers' and distillers' yeast.

They have six pairs of stills at Hakushu; two of them the same shape and one not currently used. Thus they have four active still shapes producing different whiskies. As there is another whisky boom, they're currently distilling 24/7.

As Hakushu is at a very high elevation, the whisky ages more slowly with less wood influence on the spirit. Though they use five types of barrels at the other single malt distillery Yamakazi, at Hakushu they focus on two: ex-bourbon and hogshead. (Hogshead barrels are reconstructed bourbon barrels made a little larger, holding 230 liters rather than 180.) They do, however, age ex-sherry butts (Spanish oak, 480 liters), and puncheons (new American white oak, 480 liter).

They rechar some barrels after using them to age whisky about four times, but after they rechar they only use them one more time. Distillery General Manager Mike Miyamoto says that the whisky aged in rechar barrels is more astringent than with regular ex-bourbon barrels.

The smell of a recharred barrel is amazing! It's like campfire wood and sugars, even marshmallowish.

At Hakushu they use only racked warehouses, in earthquake-safe metal racks that go about 13 levels high.

Here they use peated and unpeated barley, four still shapes, and five types of casks (though they focus on two.) They say that between them (2x4x5) they make 40 different types of whisky at Hakushu.

Regardless, to make up the Hakushu single malt they primarily include three whiskies distilled on-site: unpeated malt distillate aged in hogshead barrels, unpeated malt distillate aged in sherry butts, and peated malt distillate aged in ex-bourbon barrels.

We sampled each component separately and then the Hakushu 12 and 18 year old blends. With three widely different distillates, Hakushu is almost more of a blended malt (vatted malt) than a single malt.

November 17, 2011
World Class Round-Up on DiffordsGuide.com
I was in New Delhi all last week working both on reporting on the Diageo Reserve World Class Global Finals here on my blog and helping Simon Difford and his (ass-kicking) crew write a special edition of the online magazine and produce the official book that will come out later. Still working on that, actually.

Over at DiffordsGuide.com, take a look at the write-ups on:
- Short bios of all 32 World Class Competing Bartenders
- The "gurus" and their challenges: Gary Regan, Salvatore Calabrese, Peter Dorelli, Dale DeGroff, and Daniel Estramadoyro. Read here.
- Quotes about the winner, Manabu Ohtake.
- A few hundred drink recipes.
- The launch of the new Johnnie Walker Blue Label bottle.
- And a highlight video.
Plus there are a few thousand photos to look through in the galleries. Or click on the photo gallery link on the top of DiffordsGuide.com.

(Winner Manabu Ohtake of Japan. Image by DiffordsGuide)
July 19, 2011
Japanese Bartending Technique

(Photo taken at Orgo in 2009)

Last summer when I was in Singapore I had the chance to experience Japanese bartending for the first time. I went to Koffe Bar K, a chain with I think just one outpost in Sinagpore. They do ice ball carving there, though I didn't think to ask to see it. The menu was a giant picture book of mostly-awful looking blue and green drinks, but my friend always orders classics like the Sazerac there. I had the only good Singapore Sling I would drink in Singapore.

Before making the drink, the bartender pulled down all the bottles and set them label-facing the customer. His movements were precise and nearly robotic, as he measured each ingredient and mixed the cocktail while keeping his work station meticulous, pausing to wipe away any stray drop with a white bar cloth. When we finished and got up to leave the bar, the bartender literally ran out from behind his post to go hold the door for us. He asked if we were taking a taxi and ran again out to the curb to hail one for us, again holding the door and bowing ridiculously low as he did so.

Later that week I went to Orgo, a rooftop bar specializing in blended mixto margaritas also run by Japanese barmen. They did a surprisingly good job with what sounded like awful recipes. Here too, a formality was in place with each person behind the bar handling specific tasks and each task having a specific movement associated with it. It's kind of a formal form of flair bartending.

What I remember most about these two bars was not the drinks, but the bartenders and the level of service. There are plenty of bars in the US with ultra-attentive and doting bartenders, most often the bars at fine dining restaurants where the bartender is also your waiter and busboy. I've found most of them to have a friendly, rather than formal, demeanor, and that's just fine with me.

There is a lot that American bartenders can learn (or at least study then decide to dismiss or not) from the Japanese style of bartending. From tricks like carving an ice ball (is this neccesary anymore now that there are machines to do it for us?) to the Hard Shake (a shaking technique that may be more about aeration then it is chilling) to the deft handling of bar tools: are these useful in an American bar (professional or home) or just flair?

I hope to find out. I'm attending a seminar on just that topic in New York on May 3 and 4: Japanese Cocktail Technique.

The seminar features Japan's most famous bartender Kazuo Uyeda of Tender Bar in Tokyo, along with Stanislav Varda, a student of Uyeda who spreads the word of the Hard Shake and other Japanese bartending techniques with his Analog Bar Institute. This will be Uyeda's first time speaking in New York, coinciding with the release of the English language version of his book Cocktail Technique.

Part of the session will be dedicated to technique- making ice balls and learning the Hard Shake- and part to philosophy with topics like "exploring color" and "developing your ability to concentrate." I'm also hoping to learn about the mentor and apprentice programs they have in Japan- people tell me that there are several levels of bartenders working beneath the head bartender and that you have to reach a certain level before you are even allowed to pour water for a customer.

Tickets are available at CocktailKingdom.com for $675 for two days. Yep, it's a lot, so there's that.

April 5, 2010