Category: camper_clips

  • Cocktail Snobs

    Cocktailsnob In the March issue of 7×7 Magazine, I have a story about Cocktail Snobs.

    Now that customers know so much more about cocktails some us are becoming fussy about them, never ordering from the menu but insisting on on-the-spot creations,  trying to stump or school the bartender with obscure drink requests, and trainspotting mixology by parking in front of the bartender's station and asking questions about every drink being made. 

    Note: I've been guilty of all these offenses at one time or another.

    Kindly read the story first, but one aspect I didn't get room to touch on much was that snobs in bars are hardly a new thing; cocktail snobs are just a new species thereof. There are still and will always be people who get angry that a bar doesn't carry what they percieve to be the best brand of vodka/tequila, snap their fingers at the bartender and treat them like servants, and exhibit other forms of bad behavior.

    At least, I hope, the new breed of snobs are cocktail snobs because they care about good cocktails.

     

  • What’s the Difference Between Orange Curacao and Triple Sec?

    Historical Cointreau smallerThere are no legal differences between triple sec and Curacao, only a few practical and many historical differences. In summary: 

    • Both triple sec and Curacao are orange-flavored liqueurs, and today’s triple secs are typically clear, while curacao is either clear or sold in a variety of colors, including blue.
    • Curacao liqueur is not required to come from the island of Curacao nor use Curacao-grown oranges, and according to US law, both triple sec and curacao are simply defined as “orange flavored liqueur/cordial.”  
    • Some orange liqueurs including Grand Marnier use an aged brandy base, while most use a neutral spirit base.

    In short, today there are no hard and fast differences between curacao and triple sec (other than curacao is sometimes colored), and bartenders should use what is best for a particular drink. But the history of how orange liqueur came to be known by these different names is interesting.

    From the Caribbean to the Netherlands

    "Curacao" liqueur refers to a liqueur with flavoring from oranges that grow on the island of Curacao, off the coast of Venezuela. These oranges are known as bitter oranges or Laraha oranges, with the botanical name Citrus aurantium var. curassuviensis.

    These are a variety of sweet Seville oranges that changed in the arid island climate and are reputed to taste awful on their own, but the sun-dried peels of them are prized in making liqueur compared with traditional sweet oranges. Today, bitter oranges are still used in many liqueurs and some gins, though these are most often sourced from other regions including Haiti and Spain.

    However the Senior & Co. company, based on Curacao since 1896, still produces curacao (in a variety of colors) made on the island with the island’s oranges.  It claims to be the only brand that uses the island’s oranges.

    The island of Curacao has been a Dutch island since the 1600s, and was a center of trading and commerce for The Netherlands. The dried peels of the island’s oranges made their way back to Holland where they were infused, distilled, and sweetened. The Dutch Bols company, which dates back to 1575, states that their first liqueurs were cumin, cardamom, and orange, though they don’t specify that the oranges in the first liqueur came from Curacao just yet.

    The base spirit for orange liqueurs changed many times over the years. According to Bols historian Ton Vermeulen, the earliest records of distillation in the Netherlands dating to the 1300s detail distilling grapes. The northerly climate isn’t conducive to grape-growing however, and by the end of the 16th century many distillers used distilled molasses (sugar from colonies was often refined back in the home countries, with distillable molasses as a secondary product). In the 1700s the Bols company has records of both grain alcohol and the molasses-based “sugar brandy” being used as base spirits. Grape brandy was seen as more refined, and according to Vermeulen, the “owner of Bols around 1820 would prefer to use [grape] brandy and if it was too expensive would use grain alcohol instead.”

    Column distillation that spread after 1830 allowed for any fermentable matter to be distilled to near neutrality and make a suitable base for liqueurs. The Netherlands and most of Europe switched to using neutral sugar beet-based spirit in the second half of the 19th century, after Napoleon heavily promoted the sugar beet industry in France. Today neutral sugar beet spirit is the base of Cointreau.

     

    France and Triple Sec

    The most famous and well-respected orange liqueurs on the market today, Grand Marnier and Cointreau, don’t come from Curacao or from the Netherlands, but from France, and it seems to be in France where Curacao liqueur evolved into triple sec liqueur.

    Cointreau initially produced a product called “curacao,” and then a “curacao triple sec” and then a “triple sec." According to Alfred Cointreau, the product labelling (and it seems the sweetness levels and possibly accent flavors) evolved over the years:

    1859

    • Curacao
    • Curacao ordinaire
    • Curacao Fin
    • Curacao sur fin

    1869

    • Curacao Triple-Sec

    1885

    • Triple-Sec

    Historical Cointreau - full rights (7)

    Cointreau cites  1875 as the creation date of its orange liqueur, which is made with both bitter and sweet orange peels. Grand Marnier cites  1880 for its blend of cognac and orange peels. Both of these brands now shy away from the words “Curacao” and “triple sec,” on their labels.

    The brand Combier claims 1835 as its creation date, with “sun-dried orange peels from the West Indies, local spices from the south of France, alcohol from France’s northwest, and secret ingredients from the Loire Valley – a formula that became the world’s first triple sec: Combier Liqueur d’Orange.”

    But to what are the “triple” and “sec” referring?” The “sec” is French for “dry,” and the “triple” could point to several things.

    Alexandre Gabriel, president of Cognac Ferrand, says that in conjunction with cocktail historian David Wondrich, they researched the history of triple sec and curacao and found a listing from a 1768 Dutch-French dictionary that described an infusion (without redistillation) of Curacao oranges in probably-grain spirit, but by 1808 recipes appear for redistillation of the oranges in spirit.

    Gabriel’s theory is that the triple refers to three separate distillations or macerations with oranges. His Dry Curacao product is described as, “a traditional French ‘triple sec’ – three separate distillations of spices and the ‘sec’ or bitter, peels of Curacao oranges blended with brandy and Ferrand Cognac.”

    By Gabriel’s definition, the ‘sec’ refers to the drier-tasting (due to bitterness) oranges from Curacao, independent of the sugar content of the liqueur. A contrary opinion comes from Andrew Willett of the blog Elemental Mixology, who makes a convincing argument that the ‘triple sec’ is a level of dryness from sugar on a scale from extra-sec, triple-sec, sec, and doux (‘sweet’).

    Willett also proposes that the ‘triple’ could indicate three types of oranges: many French brands call for both bitter and sweet oranges in the recipe, plus some add an orange hydrosol (water-based orange distillate). That an early product from Grand Marnier was called Curacao Marnier Triple Orange could help support this argument. Willett concludes in another post that a “Curacao triple sec” is “Curaçao liqueur that is both triple-orange and sec.”

    So “Curacao triple-sec” may refer to three distillates that include Curacao oranges, three types of oranges including Curacao in a very dry liqueur, or just a specific level of dryness from sugar of a Curacao liqueur. As mentioned, these differences and definitions are not meaningful today.

    Curacao comes in many colors, but coloring of the liqueur is more traditional than one might imagine. It dates back at least to the early 1900s (when the liqueur was colored with barks) and some cocktail books including the Café Royal Cocktail Book from 1937 specify using brown, white, blue, red, and even green Curacao in various recipes.

    Today, bartenders might consider each part of the liqueur in deciding which brand is appropriate for a particular cocktail: the orange flavor, the base spirit, the proof of the liqueur, and yes, the color. There’s a whole rainbow to choose from when choosing an orange liqueur.

     

     

     

    Below Here is the Original Post that I updated with the above information. Please ignore it! It's just here for legacy purposes.

    I tried to answer that question as best as I could in my recent post for FineCooking.com.

    Four hundred years ago, the Dutch were some of the world’s greatest traders and, not coincidentally, great distillers. They’d preserve the spices, herbs, and fruit brought home on ships in flavored liqueurs and other spirits. Curacao was one of those liqueurs, flavored with bitter orange peels from the island of the same name. At the time, the liqueur would have had a heavy, pot-distilled brandy as its base.

    Then the French came along (a couple hundred years later) and invented triple sec. The “sec” meaning “dry,” or less sweetened than the Dutch liqueur. The origin of the “triple” is still up for debate, but the two leading schools of thought are “triple distillation” versus “three times as orangey”. Triple sec was also clear, whereas curacaos were dark in color.

    Today, triple secs are usually still clear (made from a base of neutral spirits), whereas curacaos may start that way and be colored orange, blue, and even red. Cointreau is probably the most recognized brand of orange liqueur in the triple sec style, and Grand Marnier, despite being French, is more in line with the Dutch curacao style as it has an aged brandy base.

    Nerds: Do you think that's an accurate summation?

    The full post is here, and it includes a recipe for the White Lady cocktail.

    White_ladyM

  • Sherry is to Tequila as Vermouth is to Whiskey

    Sherry and tequila are showing up together on more and more cocktail menus. I wrote a story about that in the Sunday, February 20th San Francisco Chronicle. 

    Del rio
    (Del Rio cocktail by Josh Harris of the Bon Vivants. Photo: Craig Lee)

    More drinks including Tequila and Sherry
    Camper English, Special to The Chronicle

    Sherry and Tequila are having a love affair. Bartenders are using more of each ingredient lately, but increasingly you'll see the two sneaking off in a drink together, canoodling in a corner of the cocktail menu.

    One of the first outward signs of this attraction came in the form of La Perla, a drink created several years ago by beverage consultant Jacques Bezuidenhout, which is still on the menu at Bourbon & Branch. The cocktail contains reposado (lightly aged) Tequila, manzanilla Sherry and pear liqueur.

    A not-too dissimilar flavor combination has popped up recently. At the Hideout at Dalva, a tiny backroom cocktail bar in the Mission District, Josh Harris serves the Del Rio. The drink is made with blanco, or unaged, Tequila, fino Sherry, St. Germain elderflower liqueur, plus a dash of orange bitters and a grapefruit zest.

    At Gitane, the Sherry-centric Claude Lane restaurant, bar manager Alex Smith and two other bartenders collaborated on a drink called the Flor Delice, made with reposado, manzanilla, St. Germain and orange bitters, plus maraschino liqueur.

    In New York, this combination shows up yet again on the menu at Mayahuel, a bar dedicated to Tequila and mezcal. The Suro-Mago uses blanco, manzanilla, elderflower and orange bitters, and adds a rinse of mezcal to give it a smoky touch.

     Read the rest of the story and get the recipe for the Del Rio, a simple and delicious drink.

  • High-Falutin’ Boozin’

    CaviarAffairCover Another magazine I write for that is not usually online is Caviar Affair, for which the tagline is, "Celebrating wordly indulgences and luxury living."

    That's so *me*, right? Actually it really is, except that other people indulge me in the luxury to which I've become accustomed.

    Anyhoo, they did put the new issue online. Unlike much of what I write for other publications, there is a definite emphasis in my stories for this magazine on stuff that you can buy, rather than, say, ruminations on flavor combinations and the deeper meaning of cocktail culture.

    The whole issue online is here.

    For this issue I wrote some stuff on vodka, some on rare scotch, a bit about my trip to Guatemala, and information about some new cocktail bars.

     

    CaviarAffairScotch

  • Flowers and Champagne

    June & Champagne with garnishM Here's something you already know: Sparkling wine + Floral liqueur = fun drink.

    I hadn't realized until I started writing my latest Fine Cooking blog entry just how many new floral liqueurs have hit the market.

    In recent years several new floral liqueurs have been brought to market, including St. Germain (elderflower), Esprit de June (grape vine flowers), Rothman and Winter Crème de Violette (violet), Crème Yvette (violet and berries), Fruit Lab Theia (jasmine), J. Witty Spirits Organic Chamomile, and Loft Liqueurs Organic Lavender.

    So, here is the rest of the story.

  • Big in Germany

    Mixology cover blood and sand I try to link to all my writing available online, but you really only see two-thirds or so of it. And even if you could see it all, most of us couldn't read it because it's in German.

    I am a regular contributor to Mixology magazine, based in Berlin, and for this magazine I write these insanely long stories usually about a single cocktail.

    I've written 2000 words about eggnog, 2500 on the Blood and Sand, and 4000 words on the Mai Tai.

    All of it gets translated into German so when I see the print version I can't read it but I like to look at the pictures. 

    One picture that I particularly enjoyed seeing was this cover illustration for my eggnog story.

     

    Mixology Mag Cover Eggnog

    I don't know if I've ever had the cover image before, so that's pretty awesome. (Update: Realized I've had it twice before- sweet!)

    I shall now use this ego boost to get me through my next story, which is 2500 words on the Caipirinha, due tomorrow.

     

  • Which Vermouth is Which?

    In Friday's FineCooking.com blog entry, I have a little story about how I remember which vermouth is which: sweet, French, white, Italian, dry, red. I could never keep them straight until I came up with a mnemonic device.

    Read it here.

    Bamboo1m

    Plus! There is also the recipe for the Bamboo cocktail.

  • Sherry, Reconsidered in the Los Angeles Times Magazine

    **Update: This story is no longer on the LA Times Magazine website, so I have pasted it here.

     

    In yesterday's LA Times Magazine I have a huge feature on sherry.

    Sherry2 (photographs by Nigel Cox)

    As a wine category, sherry has practically everything going for it: a tremendous range of flavors, a rich history dating at least as far back as the Romans, the ability to pair magnificently well with food and an increasingly hip status as a cocktail ingredient used by top bartenders.

    Most people, when they think of sherry at all, consider it an ingredient their grandmothers cooked with rather than something ripe for sipping on its own. Sherry is about due for a comeback, but it’s so unfamiliar to us now that it really needs a thorough reintroduction.

    The story features eight drink recipes from the lofty likes of Murray Stenson, Andrew Bohrer, Alex Day, Zahra Bates, Kenta Goto and Audrey Saunders, Brian Miller, Neyah White, and Kevin Deidrich.

    Go read the story, and then go make the drinks!

    Sherry3 (photographs by Nigel Cox)

  • Cocktails and Italian Spirits

    Vino2011logo Last week I spoke on a panel in New York for the Vino 2011 convention. The event mostly focuses on Italian wines, but this year they also offered a cocktail seminar.

    The seminar was called “Renaissance of the Cocktail in America: Top Spirit Professionals Assess the Role and Opportunities for Italian Spirit.” The panel was moderated by Francesco LaFranconi and the other panelists were Anthony Dias Blue,  Lamberto Vallarino Gancia, Paolo Domeneghetti, and Tad Carducci.

    I figure I may as well share my answers with people who couldn't attend the seminar.

    Question 1: As one of the industry’s most credited spirits’ blogger and writer, what fascinates you the most about Italian liquors (Spirits, Amari, Aperitifs and Liqueurs) and which category provides you the most opportunities to write your stories/articles?

    Prettymuch what I do for a living is identify and report on trends in cocktails and spirits, most of which are generated by progressive bartenders at the nation's top bars. So I'm most interested in what they're interested in.

    Category-wise, we see the most action in amari and aperitifs as bartenders are playing with bitter modifiers, better vermouths/vermouth substitutes, and low-alcohol cocktails.

    But across all categories there are other flavor trends into which different Italian spirits can fit.

    • Extreme spirits. The most bitter, the most raw, the highest-proof, the funkiest, most challenging spirits are all the rage. Think: Smith & Cross, mezcal, Islay scotch, barrel-strength everything.
    • Flavorful white spirits. Think: genever, pisco, cachaca, agricole rhum. Why not grappa too?

    Question Two: When did you start noticing interest (among bartenders and mixologists) in the US for Italian liquors (Spirits, Amari, Aperitifs and Liqueurs) and cocktails made with them?

    Back in the early 2000s when classic cocktails started their comeback. Back then it was all about making the most authentic Negroni, Aviation, Hemmingway Daiquiri, etc. These drinks need their original Italian ingredients like Campari, maraschino liqueur, vermouths, etc.

    Now, even though we're still in the classic cocktail craze, it's more about spin-offs of classics: variations of the Manhattan using various amari, spin-offs of the Bamboo with other fortified wines, Negronis switching out everything for something else, and so on.

    Question Three: Which Italian liquors (Spirits, Amari, Aperitifs and Liqueurs) categories do you believe are the most favorite by the American palate these days, and which are not fully embraced yet (what would you suggest to do about it)?

    Now we're talking about consumers, and I don't think most consumers are in love with any of these spirit categories at all. That said, they all have their place in cocktails, which consumers love indeed. Italian (and any) spirit owners should think about their spirits as ingredients in popular cocktail formats and sell to the cocktail. Right now, consumers are especially interested in drinks they can make at home that they've tried out. Some top examples are:

    • Anything that mixes with ginger beer in a Buck/Dark & Stormy format.
    • Cocktails with baking spice flavor- allspice, cinnamon, clove, nutmeg. Many tiki drinks would fall into this category.
    • Aromatic herbs like mint, basil, cilantro, lemon verbena, etc. These can be used both in the Gimlet and Mojito format.
    • Anything coffee – cold or in the future, hot. With the fresh-roasted, slow-drop coffee phase that's sweeping  the nation, perhaps the grappa producers could work on a deluxe version of Cafe Correcto.
    • Anything floral in the wake of St. Germain, or with strongly floral aromas.
    • Any liqueur that can be mixed with sparkling wine.  

    I even tried to look like I know what I'm talking about wearing a suit and tie (and an expression that says "I'm up in your seminar, dropping knowledge.") But you know, since it was in a room full of Italians, my wardrobe probably fooled no one.

    Camper in a suit

  • Absinthe Apparatus

    Absinthe Fountain Completes In my latest post for FineCooking.com, I discuss what all that absinthe-serving equipment is for.

    The fountain is not, of course, filled with absinthe, as in this music video. It is filled with plain old ice water.

    Read more about that here.