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  • A Guide to Botanicals Used in Cocchi Aromatized Wines & Vermouths

    I had the pleasure of visiting the winery and distillery for Cocchi in Piedmont, Italy. More on the visit in a later post, but for now I wanted to share a bunch of images I took of botanicals used in the production of their products. 

     

    Cocchi products

     

    American readers will be familiar with Cocchi Americano, Cocchi Vermouth di Torino, and their Barolo Chinato. 

    I've been studying a lot of these botanicals lately, and found the write-ups on these from the tasting room to be very good. So I'll just post them here for future reference (yours and mine). Note that there is some good information on a few of these at the Cocchi website

    You might also check out this similar guide I did from a visit to Martini vermouths: A Visual Guide to Herbs Used to Make Vermouth.  

    All of the below images were taken at the Cocchi winery in Italy. 


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  • Map of All Distilleries Where Chartreuse Was/Is Made

    I'm doing some research into the history of Chartreuse and learning so much. I'll share some of the info as I continue to gather it. Let's start with this.

    There have been 7 Chartreuse distilleries. The most recent one just opened, and representatives from the US importer, Frederick Wildman, just visited it. 

    Chartreuse map2

    The first distillery didn't actually make the finished Chartreuse product but it was where the monks were given the recipe and probably experimented with it. The second distillery, Le Grand Chartreuse, is the location of the big monastery. 

    • 59db85190cf19Vauvert in Paris

    • Le Grand Chartreuse 

    • Distillery Fourvoirie

    • Distillery Tarrogone in Spain

    • Distillery Marseille

    • Distillery Voiron

    • Distillery Aiguenoire

    On the Google map below, you can click on the legend and see the dates that each distillery operated, and some more information on a few of them. You might have to open it in a separate window to see the legend. 

    For more information about Chartreuse's grand history, the website is here.

    If you can't see the map below, you can access the map directly here.

     

     

     

  • A Belvedere Distillery Visit and Vodka Terroir in the Single Estate Series

    Single estate seriesIn the summer of 2017 I visited Poland with Belvedere Vodka to see how the vodka is made and to learn about the then-forthcoming Single Estate Rye series of vodkas, in which the same rye was grown in two different parts of Poland and separate, unfiltered vodkas were made from each.  We got super deep into the science of terroir. 

    Belvedere is made from rye, which is first distilled at one of seven regional farm distilleries, and then redistilled and bottled at a distillery named Polmos Zyrardow. ("polmos" = "distillery") From other trips to Poland I've learned regional distilling followed by central distilling is quite common- why truck all that grain around when you can condense it into high-proof spirit and just transport the liquid?

    The Polmos Zyrardow distillery dates back to 1910, and they've been making Belvedere exclusively at the facility since 1993. 

    Polish Vodka

    • If the bottle says it's Polish vodka, it can't have additives like sugar/glycerin etc.
    • It must also be made from a grain (rye, wheat, triticale, oats or barley) or from potatoes, rather than other fermentable material like molasses. 
    • Though it must be additive-free (this is exclusive of flavored vodka of course), it can be aged. 
    • The first reference to vodka is from Poland in 1405. 
    • Here's a more official page of Polish vodka production rules and processes

    Belvedere is made from rye, which has been grown in Poland for over 1000 years. Rye can thrive in harsh conditions; both hot and cold. Belvedere Pure (the flagship original) is distilled from golden rye, a high starch strain good for making alcohol that dates to the 1800s. The Single Estate series is made from another variety called diamond rye. 

     

    Belvedere Zyrardow Distillery (18)

     

    On site at Polmos Zyrardow is a water treatment plant that processes water from their well water source a 3km from the distillery. Water is purified in four stages: oxidation to break down chemical compounds into smaller parts; mineral filtration to remove iron and manganese; a soft filter to remove calcium and magnesium, and a carbon filter to remove all taste and odor. For water that is used to dilute Belvedere to its final proof, this water is then further filtered with reverse osmosis. 

    High-proof spirit comes in from the 7 farm distilleries and is redistilled at Polmos Zyrardow. It comes in at around 90-92% ABV, then it is watered down to 44-45% ABV before going into the stills. There are three columns in this distillery:

    • The first column is the purification column, which removed impurities at the lower boiling temperatures than alcohol.
    • The second column is the main rectification column, which removes impurities at a higher boiling point than alcohol, and brings the spirit back up to 96.5-96.6% ABV. 
    • The third column is the methanol column, which removes methanol created during fermentation. 

    The distillery runs for two seasons per year (corresponding to rye harvests I imagine), 24 hours/day (because it's harder to start and stop column stills) for a total of 167 days per year. 

    All the flavored varieties of Belvedere are made in house in the "alembic area." There they have cognac stills. The various ingredients are macerated in vodka of different strengths, and left to sit from anywhere from 2 days to 2 weeks. The fleshy fruits might go into higher alcohol spirit and stay for longer than things like tea. They're then redistilled to make the concentrated flavors. They make each flavor separately, then blend them together for their combination products. 

    Belvedere Pure is charcoal filtered. (The single estate range is not.)

    Finally the vodka is diluted and bottled at the distillery. 

     

    The Single Estate Rye Series, and the Science of Terroir

    Our group then flew to the Lake District of Poland, to the Bartezek estate, where the rye for one of the two Single Estate Series vodkas is grown and first distilled. The flight passed over lots of green farmland, forests, and small farms before getting to the Lake District- from our flight path it looked like a series of lakes and streams between them. 

    The Lake District is made up of about 2000 lakes, and it's located far from industry and sources of pollution. The climate is of long snowy harsh winters and short summers. 

     

    Belvedere trip Lake Country Education Site (1)

     

    We didn't visit the Smogory Forest estate, but the climate there is "the mildest in Poland." Belvedere Unfiltered vodka was the same product as the Smogory Forest single estate vodka is now- they changed the name to accent the difference between it and the other estate. This region has a longer growing season. It's not much of a farm region but a forestry one – half the land is forest. 

    The rye used for the Single Estate Series is a baker's rye called Dankowskie Diamond Rye- both farm distilleries grow the same rye. Typically bakers and distillers want different things from their grains: distillers want grains with high starch and low proteins (as I learned in Sweden), as they want to convert all those carbs to alcohol.

    In fact, the golden rye used in Belvedere pure takes 1 square meter of rye to make 1 bottle of vodka. For this less efficient bread-making rye for the Single Estate series, it take 1.4 square meter's worth of rye. 

    Each of the Single Estate vodkas use the same yeast, though this yeast is different from that used to ferment Belvedere Pure. 

    We visited the local farm distillery where the Lake Bartezek-grown rye is first distilled. The grains have enzymes and water added to break it down into fermentable sugars, then it is fermented for 72 hours at 35C. After fermentation, the rye beer is from 7-11% ABV. After distillation in the single, 60-plate column, the spirit ranges from 88-93% ABV. 

     

    Bartezek Distillery (3)

     

    These two vodkas in the Single Estate series were sent out to laboratories for analysis: not just the final vodkas, but also the rye beer (the wort) from each. They were sent to analytic labs as well as reviewed by tasting panels. The results were that the differences between the two were much more pronounced before distillation, but chemical differences were found between them as well as tasting differences – so if you taste the vodkas differently, it's not just all in your head.

    We went through the scientific and tasting panel analysis reports rather quickly, so hopefully the below doesn't have errors, but here were some results:

    • The main flavor differences between the two single estate vodkas were due to Maillard reaction congeners (that produce toasty sweet notes) and lipid congeners (that produce fatty, waxy aroma compounds).
    • The Lake Bartezek vodka had more impact by Maillard reaction congeners, with less lipid congener notes, and a higher amount of esters in raw spirit. 
    • The Smogory Forest vodka had more nitrogen containing hectacycles such as pyrazines (toast nutty, peanut, coffee, cooked notes), furfural (caramelized notes), 2-acetylfuran (almond honey sweet bready woody notes), and methyl 2-methyl 3-something notes (umami character). 

     

    Tasting sheet estate series

     

     The brand describes the tasting differences between the two vodkas as:

    • Smogory Forest: "a bold and savory vodka with notes of salted caramel, white pepper and honey-kissed hints. It brings out the richer flavors of rye." 
    • Lake Bartezek: "a fresh and delicate vodka with hints of spearmint, toasted nuts and black pepper. It brings out the more nuanced characteristics of rye."

    The production of the two vodkas wasn't 100% exactly the same: The way to do that would be to grow the rye in different places and distill it in the same place. For the single estate series, each vodka was distilled where it was grown. So beyond the local soil/weather conditions where the rye was grown (terroir), there were some other factors that could have influenced the final vodka's flavor. These include:

    •  The length of time the rye grew in each location was different, but I'd say this is an aspect of terroir rather than an exception. 
    • The water used for fermentation at each site. Water isn't just water, but includes different quantities of various minerals that can impact fermentation.
    • The fermentation times were different at the two distilleries.
    •  One of the worts (rye beer) was filtered after fermentation but before distillation, and the other wasn't. I'm not sure what impact this would have in a column still specifically, but it makes sense that it would be some. 

    In any case, the brand admits that this product launch and overall experiment is merely "the beginning of the exploration of terroir" in vodka, according to former Head of Spirit Creation and Mixology Claire Smith-Warner. 

    It was a terrific trip for me – y'all know how much I love distillery visits – with about five times the science as usual.  

     

      Rye Fields Lake District Poland Belvedere Trip (1)

  • The History of Orange Curacao and Triple Sec, Updated

    Historical Cointreau ad smallerThis post is merely to refer you to another post – sorry about that.  Years ago I wrote a post about the differences between orange Curacao and triple sec. I have just significantly updated that post with new information and conclusions.

    For SEO purposes I am pointing you to the updated post rather than posting the new stuff on this post. It's Google's world, we just live in it.

    Please give it a read: 

    What's the Difference Between Orange Curacao and Triple Sec

     

  • Campari Production Info: Extraction, ABV, Coloring, and Fining

    At this year's Tales of the Cocktail, I went to a terrific seminar called Til The Bitter End, lead by Audrey Fort of The Rooster Factory brand development agency.

    I also gave a seminar about bitterness at Tales, with an emphasis on understanding the flavor of different bittering agents. This seminar, on the other hand, was about bitterness in general and measuring the impact of bitterness in different spirits in particular.  Though I researched the heck out of my own seminar, I also learned a ton in this one. 

    One of the panelists was Mike Capoferri, Italian Portfolio Ambassador for the Campari Group. I'd not met him before and his part of the presentation was great. While Campari, the liqueur, doesn't disclose any of the ingredients in the bottle that make its distinctive flavor, Capoferri was able to share some of the very complicated production processes that go into it. And they're so complicated that it wouldn't matter if they disclosed every ingredient. 

    So first, some technical terminology that I'd not seen in this way before, defining various extraction techniques depending on whether it's done in alcohol or water: 

    Bitter flavors extraction

    One thing he mentioned in the seminar is that bitter compounds are not soluble in high-ABV alcohol. And I learned in the preparation for my own seminar that bitter flavors do not generally distill. That's why most bitter ingredients are macerated in the spirit rather than redistilled like gin. (In the case of Cointreau, I learned when I visited the distillery a few years ago, they distil their bitter oranges that have been macerated with pith in order to remove bitterness from the infusion.)

    Essential oils (like from the peels of those oranges in Cointreau) on the other hand do distill well, and are soluble in high-ABV alcohol. 

    Within the Campari portfolio, Averna is a simple extraction of botanicals in high proof spirit, so the result is a not-super-bitter amaro. 

    Braulio, in contrast, is macerated at a lower proof, to enhance the bitter flavors.  

     

    Anyway, those maceration techniques are used in the production of Campari:

     

    Campari Production

    I'm glad to see Campari isn't just  Herbs -> Infusion -> Filtration -> bottling. I like it when things are interesting. 

    Three important observations (of mine) from this:

    1. "1 of 8 Colorants": As I revealed on this blog post about how Campari is made differently around the world, insect-based natural cochineal coloring seems to have been replaced by artificial coloring in most parts of the world, but not all. The post identified some of the ways that the red coloring is labelled – and now we know there are eight variations (or at least there were at the time this slide was made)!
    2. "1 of 5 ABV's": Also on the blog post we knew there were different ABVs. I'm surprised there are only 5. But on the other hand, 5 ABVs times 8 colorants means they could make up to 40 variations of Campari. 
    3. "Fining": On that same blog post, we saw from the bottle in Jamaica that Campari "contains eggs." I am pretty darn sure that is from the fining process (also used in beer and wine) that brings the liquid to clarity. The only thing to note here is that they use the term "fining" rather than "filtration" which helps build our case.  To repeat from that blog post, even though in most countries Campari is no longer colored with insects, it is still almost assuredly not vegan.  

    So, that was awesome. Thanks to Audrey Fort and Mike Capoferri for the info. 

     

     

  • A Little Overkill at my Tales of the Cocktail Seminar on Bitter Flavors

    This year as usual I gave a seminar at Tales of the Cocktail (well this year I gave one myself and then was on a panel for another one; this post is about the one I gave solo). This one was called Bitter Flavors: Taste the Rainbow. 

     

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    The idea was to give everyone information and tasting on individual bitter flavors- particularly the major ones of quinine/cinchona, wormwood, gentian, and rhubarb- because so often they're mixed together in amari and bitters. I chose for my tasting spirits that I thought were most indicative of the bitter flavors:

    • Rhubarb: Zucca (they sponsored the seminar)
    • Wormwood: Amaro Alta Verde 
    • Gentian: Saler's Gentiane
    • Cinchona: Kina Aero d'Or

    Plus Zucca wanted to feature a couple of cocktails, so at just 1 sample of each type of bitters I was worried that I wouldn't be able to ensure everyone could really isolate each type of bitter flavor. 

    So, as is my way, I panicked and went way overboard on homemade samples. By the end, everyone at their seat had 2 cocktails, 4 bitter beverages, 10 microtubes of bitter tasting samples, and 5 bitter solids. 

     

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    The preparation took me (along with help from my pal Maria) dozens of hours. I made infusions of various bitter flavors in alcohol, then diluted those down with water so they were essentially non-alcoholic. Then we put them all in microtubes and the solids in little baggies (luckily I live near a bong store), labelled them all, and then made an index and assembled ziplocks of everything. 

     

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    Oh, and I also created a print-out of most popular vermouth and amaro brands, and what the known and suspected bittering agents are in each. That project took me another 20 hours or so. Sometimes I think I might go too far.

    So during the seminar we now had plenty to taste and in the case of those big four bitter flavors, a finished product to confirm that taste in a product they could find on the shelf. The seminar seemed to go really well (we'll see when I get the reviews back) and I certainly felt everyone got their money's worth- a big fear of mine when I'm presenting. 

    Camper English at Tales of the Cocktail

    (photo stolen from Maggie Campbell)

    Camper English at Tales of the Cocktail

    I'm not sure that I'll ever do this seminar again in this format, but I may put together an ebook of some sort with the information from the seminar in it. 

     

     

     

  • Bitter Ingredient Flavors and Use from Martini Vermouth Masters

    Bitter martiniAt this year's Bar Convent Brooklyn, I had the opportunity to sit down with Ivano Tonutti, Master Herbalist for Martini & Rossi (and Bacardi products generally) and Giuseppe "Beppe" Musso, Master Blender of Martini & Rossi.

    The timing was excellent, as I am preparing to give a talk on bitter ingredients for Tales of the Cocktail, and they were in town promoting the newish Martini & Rossi Riserva Speciale Bitter Liqueur. 

    The Bitter is part of the new premium Riserva line, along with Rubino (red) and Ambratto (white) vermouths. We spoke primarily about the new Bitter and and plants used in the Riserva line; but in some cases we were generalizing beyond that. So please consider this general information rather than super specific to any one product. 

     

    General Stuff

    • The goal in using different bittering agents is to create a rounded bitter experience with multiple parallel bitters rather than a single-note bitter. 
    • Speaking of single-note bitter, they indicated quinine/cinchona bark pretty much gives that. 
    • When speaking about how different bittering agents impact the flavor, Tonutti would intuitively point to certain parts of his face, indicating where the individual bitter most impacts the palate – for example cinchona is a singular bitterness felt most in the far back of the mouth, different artemisia species were more forward. Gentian and rhubarb root impact the middle of the mouth more. It's interesting to see as we know the "tongue map" is false but yet we feel the impact of different bitter flavors in different parts of the mouth.
    • They use all dried herbs, rather than fresh, for all the many Bacardi products (including things like Bombay, etc.) with the exception of some fresh citrus peels in Oxley gin. Dried herbs are used to ensure consistency and can be more easily measured for water content, etc. 
    • All these bitter agents are infused rather than distilled into products (we're talking about the Riserva line). 
    • They use only yellow gentian root – not the blue stemless gentian that a few producers use. They prefer French gentian as it's particularly bitter and more aromatic than from other places. They say the blue gentian is not super bitter, and it can be thought of more like an herb with root rather than just the root. 
    • Holy thistle is used in salads. In their products, it's used to impart mouthfeel, not bitterness. It is used in most of Martini's products. 
    • Dandelion – Leaves, not roots, are used. In production, leaves must be dried immediately after picking. 
    • Roman Chamomile – The bitterness of it depends on the extraction technique (lower ABV extraction is better for bitterness in general, they say) and the concentration. (I asked about this as I've made chamomile infusions in the past and none were bitter.) 

    Artemisia

    • Between the Rubino and Ambratto there are different ratios of the three artemisia plants used – absinthia, pontica, and vulgaris. (grand/common, lesser/small, mugwort)
    • Absinthium – boldest, bitterest, with a delicate herbal flavor
    • Pontica – herbal and floral, a signature note of Martini vermouth, top note
    • Vulgaris (aka mugwort) – aromatic, with a different and milder expression of bitterness. 

    Barks

    • As noted, Cinchona bark gives a back-palate discreet bitterness.
    • Columba bark is an aromatic bitter with mid-palate bitterness.
    • Angostura bark is between cinchona and columba in its bitterness. 
    • Red cinchona (succirubra) is more bitter than yellow, with higher amounts of quinine, but they describe the flavor as more boring.
    • Yellow cinchona (calisaya) they get from Ecuador. It is slightly aromatic, but there is less of it available on the market. This is used in Ambratto and probably other products. 

    Safety Stuff

    • The amount of thujone in artemisia and quinine in cinchona bark are regulated. They say that their approach to this is to get as far under the legal limits of the active substances as possible. For example, their artemisia providers grow a strains of the plants with super low thujone content, and though they may be plants like grand wormwood that supposedly have a lot of it, they use varieties that don't. Thus if the legal limits of thujone were ever lowered, or as in the case of the US where the legal limit is lower than in the EU, they don't have to worry as they're not close to the limits.
    • For quinine, there is a legal limit of 83 ppm allowed. That is just for quinine, not for quinidine and the other (two, I believe) active alkaloids present in cinchona bark. Tonutti said that rather than counting just the quinine, they keep the total number of all the alkaloids under the 83 ppm limit.  
    • Calamus is banned in the US and in Australia by name, meaning you cannot use it in a product's formulation at all, while in Europe and other countries, you may use the plant as long as the beta asarone levels are kept below a certain amount. [They noted the nonsensical nature of this, as if the problem with calamus is beta asarone, they why not limit the beta asarone?] Thus there are formula differences in some of their products in different countries. They also keep the beta asarone way below the legal limits in Europe anyway. 

     

    This may all seem like random stuff to you, but it was extremely helpful for the talk I'm preparing!

     

    For those of you new to these products, here's the basic info from the brand:

    RISERVA SPECIALE BITTER

    The new Bitter joins the Riserva Speciale Rubino and Riserva Speciale Ambrato as part of a dedicated craft of exceptional Italian Aperitivi for bartenders and drinks enthusiasts. To develop the new Riserva Bitter, MARTINI & ROSSI used 100% natural ingredients and the original 1872 recipe, created by MARTINI & ROSSI founder Luigi Rossi, as their inspiration. MARTINI & ROSSI Master Herbalist, Ivano Tonutti, has carefully selected three rare botanicals (Saffron, Angostura and Columba), to deliver a unique richness and complexity to its taste profile through different dimensions of bitterness. The Bitter is also rested in the same Tino cask that is used for MARTINI & ROSSI Riserva Speciale Vermouth di Torino extracts and shares the vermouth’s common botanical, Italian Artemisia, allowing its unique complex bitter taste to perfectly complement it. ($26.99)

    RISERVA SPECIALE RUBINO

    The small parcels for full-bodied Langhe DOC Nebbiolo wines used to create MARTINI & ROSSI RISERVA SPECIALE RUBINO are blended with extracts of Italian Holy Thistle and Red Sandalwood from Central Africa to deliver a bright ruby red vermouth, which inspired the name of the expression. The delicate balance of botanicals creates a full-bodied herbal and complex style of Vermouth di Torino with a long aftertaste. ($14.99)

    Ambrato packshotRISERVA SPECIALE AMBRATO

    The floral and aromatic blend of small parcels of Moscato d’Asti DOCG wines, used to create MARTINI & ROSSI RISERVA SPECIALE AMBRATO, produces a beautifully honeyed Vermouth di Torino. The yellow Cinchona bark from Ecuador and Chinese Rhubarb create a light bitter taste profile that aromatizes and elevates the flavors of the wines. ($14.99)

     

  • Three East Bay Drinking Itineraries in the July Issue of San Francisco Magazine

    DgOUVVTVQAAs4ddFor my latest story in San Francisco Magazine, I wrote about three drinking itineraries in the East Bay. The five-page story is called The New Beverage Belt and it involves three tours:

    • Cocktail bars in Uptown Oakland, including the just-opened Hello Stranger and forthcoming Here's How. 
    • Tasting Rooms of Alameda, with seven stops including the Hangar One and St. George Spirits distilleries.
    • Day Drinking in Jack London Square, which was 100% an excuse to write about Heinold's First and Last Chance Saloon – and happily they took the photos of the bar to accompany the story. 

    I did a lot of drinking as research for the story, so out of respect for my liver go out and pick up a copy of the magazine or read it online!

    Sf mag story

  • More Ice Ball Shenanigans

    If you're not following alcademics on Instagram… well you really should be. I've been having some fun over there freezing stuff into ice balls. I'm using the same technique you've seen here on Alcademics before – a thermos and an upside-down ice ball mold. 

    Lately I did a couple fun ones with money, which I'd never serve to a real person because money is filthy.

     

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    I did a few with jalapenos for one event, and some with mint for another event. (Also some blue ones for it.) 

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    And for gay pride, I made some ones with rainbow flags. I printed out and laminated some rainbow flags, and then froze those inside the ice spheres. 

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    If you're looking for more amazing ice projects, check out the Index of Ice Experiments.

     

    Any suggestions on other things to freeze inside clear ice balls? 

     

     

     

  • Once Always Almond, Orgeat Has Gone Nutty!

    In my new story for SevenFifty Daily, I wrote about how orgeat, the French almond syrup famously in the Mai Tai, is now being made with a range of nuts, seeds, and other ingredients. 

    The story cites examples from around the country and we come up with a new working definition for orgeat. 

    Check it out!

     

    Orgeat

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