Blog

  • A Quick Bit on Flips on Details.com

    My most recent story for Details.com is about flips: drinks made with whole eggs.

    In the piece I talk about silver and golden fizzes, noggs, and a few places to find flips around the country.

    Go check it out!

     

  • How Cognac D’USSE is Made

    While I was in Cognac with Grey Goose, I made a quick trip to the Chateau de Cognac where they make cognac Baron Otard in addition to the new product for the US market, D'USSE.

    Baron Otard cognac house France

    I previously visited this chateau to learn about Baron Otard, which was then just called Otard. Baron Otard is the sixth largest cognac brand. 

    D'USSE is also made here, so I wanted to learn what makes it different. I met with Philippe Jouhaud, Sales and Marketing Director of Chateau de Cognac.

    Production

    Jouhaud described the ways that the cognacs here are different from other brands. Firstly, they use grapes grown in four of the legal regions: Grande Champagne, Petit Chamagne, Fins Bois, and Borderies regions.

    They distill the brandy on the lees, which means the grape skins are put into the still along with the grape juice. 

    They also redistill the segund (sp) with the result of the first distillation. Or, in English: Cognac is distilled twice. In distillation, you take out the heads and tails, but keep the heart. The segund is the spirit that's between the heart and the tails. Distillers have the option of recycling this segund by throwing it back with the wine for the first distillation, or as they do here, put it with the spirit from the first distillation. Thus, the segunds are only redistilled once rather than twice.

    They insist their brandies are distilled before the end of January, though legally eau de vie for cognac can be distilled until the end of March. This ensures the grapes are fresh.

    Chateau du Cognac barrels

    Aging

    They also use casks made from different regions – Limousin, Trancais, and other regions. Limousin oak is loose grained, and thus allows for more extraction/interaction with the wood and spirit. The other woods are tighter grain. 

    In aging, they put the newly made spirit into Limousin oak barrels for 4-6 months then later transfer it to older barrels so it won't extract so much tannins. Limousin oak barrels are typically used for younger cognacs so it gets more wood influence in a shorter amount of time.  

    They give their barrels a medium toast.

    The chateau is unique in Cognac. Not only are barrels of brandy aging in what is essentially a castle, it is a mere 50 meters from the Charante river. This makes for cellars that are the most humid in Cognac, along with some dry cellars as well. The humidity of the aging cellars make a big difference in the flavor profile of cognac.

    Otard vs. D'USSE

    The goal with D'USSE was to make a boldly flavored cognac that would stand out in mixed drinks. To do that, the blenders used cognacs from certain cellars.

    Otard and D'USSE are made from the same barrel stock, just with different blends. 

    In humid cellars the barrels lose alcohol faster, and this creates cognac that Jouhaud describes as round and smooth. In dry cellars, the alcohol evaporates at a slower rate and the cognac tastes woodier, spicier, drier, and with more of a bite.

    Thus, to give D'USSE its desired flavor, they used a greater proportion of cognac from dry cellars. 

    Dusse-cognac

  • How Grey Goose is Made

    This September I visited Cognac, France to judge a competition for Grey Goose vodka. While there, I learned about the production process. I'm sorry I don't have pictures of all this to share- you like reading, right?

    Grey Goose is made in two parts: in Picardy, in the north of France, where the wheat is grown and distilled; and Cognac, France, where the wheat spirit and water are filtered and bottled.

     

    Picardy

    Picardy, France. Image from Wikipedia

    The Wheat

    Grey Goose is made from soft winter wheat grown in Picardy. In that region they grow tons of wheat for France (and you know how the French like baguettes). The temperature never goes below -5 degrees Celsius and in the summer not hotter than 25 or 35 degrees. Winter wheat is sewn in October and harvested in August, giving it 10 months to grow strong, as opposed to summer wheat that grows in 6 months and is more fragile. 

    The wheat is grown by many farms, then sold to and classified by a co-op. They use only that classified as "superior bread-making wheat" for Grey Goose.  Soft wheat, as opposed to hard wheat, is better for distilling according to Maitre de Chai Francois Thibault. I takes about 1 kilo of wheat to make 1 bottle of vodka.

    Milling and Fermentation 

    Interestingly, Grey Goose doesn't own their distillery, yet they have an exclusive contract with the distillery and they produce only Grey Goose there. The distillery is also located in Picardy, and it sounds like quite the huge operation. The entire distilling process is one continuous operation – wheat goes in and spirit comes out with the whole thing in motion. 

    The wheat, purchased from three different co-ops, enters the distillery, where it is cleaned and then milled. It is milled four times over the course of 24 hours. The husks, which won't ferment, are sold as cattle field. The flour goes through to fermentation. 

    To break the carbohydrates in the flour down into fermentable sugars, enzymes are added. They add one enzyme that cuts the starch into random sized pieces, then cool it, then add another enzyme that cuts those pieces into evenly sized fermentable sugars.

    Why use enzymes? I asked Francois Thibault that question. He said that unlike barley, which can be prepared to transform into fermentable sugars by the malting process, wheat doesn't germinate (see geeky explanation by Ben in the comments). However, as with bourbon, malted barley could be added to the corn/wheat to help transform its starches into fermentable sugars. Thibault says though they could use malted barely, using enzymes is more stable, efficient, and cleaner; and no undesired microorganisms will be added during the process.

    Now the wheat is ready for fermentation. They use a commercial (non-proprietary) yeast strain that is prepared elsewhere. 

    Fermentation takes place in a continuous manner – this is something I've not seen at other distilleries, though I think this technology is used elsewhere. Typically, the wheat/corn/whatever that is being fermented goes into a big vat, ferments completely, then the vat is emptied out. This is a batch process.

    For Grey Goose, they use a continuous fermentation process over a series of six cascading tanks. Wheat and yeast goes in the first tank, then pours into each successive tank operating at a different phase in the fermentation process. At the end, the liquid is fully fermented in the form of a beer at 10% alcohol by volume. This takes about 30 hours. New wheat and yeast is constantly added to the first tank and beer is constantly pulled out of the last one. 

    Distilling

    Then the beer is distilled into spirit. They use a five column distillation process. Despite the names given to each of thecolumn stills, they're more or less the same stills, just fine tuned  with number of plates, pressure and temperature settings, etc., to do a certain job. 

    • The first column strips out the water and produces a spirit at 92% alcohol.
    • The second column is tuned for "hydro-selection," meaning the spirit is watered back down before entering it, and it is redistilled to remove certain components.
    • The third column is "rectification under pressure" and the fourth is "rectification under vacuum." Both of these strip out high and low oils.
    • The last column is tuned for "demethanolisation." 

    The waste products of distillation are redistilled and sold off as industrial alcohol.

    The entire process from when the wheat enters the distillery until it leaves takes four and a half to five days. 

     Filtration, Water, and Bottling

     I didn't have the opportunity to visit the wheat fields and distillery in Picardy, but I did get to visit the bottling facility near Cognac. 

    The water used to bottle Grey Goose comes from a well 500 feet deep beneath the bottling plant. As the soil is full of limestone (just like in Kentucky), the resulting water is full of calcium. 

    The water is filtered to remove the minerals using double reverse osmosis. Thibault emphasized that the machine can't make great water out of bad water, so they have to start with good stuff like they have. Furthermore Thibault says they don't filter it to 100% pure H20 – they do it to their specifications and leave in the rest for character. 

    The water is mixed with vodka to bottling proof and then filtered again, this time through pads of cellulose and carbon. 

    I was curious as to why they don't just bottle the vodka up in Picardy. Thibault says they didn't really consider it – he was based in Cognac (he was a cognac and other spirit maker) when Sidney Frank asked him to develop Grey Goose, and he knew the water in the region was good. He says it was a practical decision to grow the wheat and distill in Picardy and transport it Cognac rather than ship the water of Cognac to Picardy or to try to grow wheat in the Cognac region. 

    Finally, the bottles are also produced in France. At the bottling facility they only bottle Grey Goose, no other products. 

    The Glycerin Question

    Grey Goose has long been the victim of rumors that it has something added to it to make it smoother. Darcy O'Neil tested Grey Goose for glycerol and found none. But other additives are allowed by US law (sugar, and I think citric acid, for example). So I asked Thibault directly if anything was added to Grey Goose after distillation besides water. He said "Absolutely nothing," and I believe him. 

  • A Few Things Learned in the Agave Fields in Mexico

    On my recent trip with the Tahona Society, we visited took ATVs into the agave fields and "helped" harvest some agave. 

    IMG_1832

    There, Olmeca Altos tequila Master Distiller Jesus Hernandez filled me in on some details about agave I didn't know, so I thought I'd share them:

    • The quiote, the giant asparagus-shaped sprout that shoots up from a mature agave plant in order to spread its seed, only comes from the female plant. This is nearly always cut soon after sprouting so that it doesn't drain energy from the agave heart.
    • After the quiote sprouts, you have a year and a few months to harvest the plant – it can go through one rainy season after sprouting but not two.
    • Only the male plants that do not sprout quiotes have a cogollo, a dense circle of leaves where the quiote would have been. Most quality producers make sure to cut out the cogollo when harvesting or before baking the agave, as this negatively impacts the flavor of tequila.
    • Agave can be harvested year-round but they tend to harvest less/none in the rainy season. This isn't because the agave are waterlogged and therefore have a lower sugar-to-weight ratio, as Hernandez says that mature plants aren't effected so much by this, but because logistically it's hard to get the trucks in  and out of the muddy fields to collect the heavy agave after harvest. 
    • Sometimes you'll see an agave field with the tips of all the spiky leaves cut off. Hernandez says that some producers think that this helps the heart of the agave grow stronger, but he doesn't believe this is true. However, he says it is common to cut off the tips of the leaves when they come through annually to apply pesticides and herbicides, just so that they can get through the dense rows of agave without getting cut on the leaves.
    • The leaves of the agave plants grow and die annually and new ones grow above them, much like how a palm tree grows with rows of dead leaves left lower down. I always thought they were the same leaves just growing bigger each year!
    • They apply pesticides and herbicides annually up until the year before harvest, as they don't want any of that residue around for harvest. 
    • At the base of agave plants sprout rhyzomes, little baby agaves called hijuelos. These are cut and replanted after the mother agave plant is 3-4 years old.

    I also learned something from Guillermo Sauza, distiller/owner of Fortaleza Tequila. 

    • You can get huge agave hearts in the Lowlands, you just have to fertilize the fields. Sauza says that people don't usually do that in the area anymore since the current prices are so low for agave. 

    IMG_5582

  • A Visit to the Sauza Distillery in Tequila, Mexico

    Today on the Tahona Society trip to the tequila regions of Mexico we visited the distillery of Sauza. Yesterday’s visit to La Fortaleza was an example of the most primitive/traditional production methods for tequila. Today at Sauza we say the most high-tech.

    I last visited Sauza about a year ago, and that post on Alcademics is here, and probably a bit more thorough than this one. Unfortunately we weren’t allowed to take pictures in most of the distillery, so mostly text will have to do.

    Sauza uses what they call “soft extraction” of the sugars from agave plants. While almost every tequila maker bakes agave plant hearts (pinas) then crushes the baked plants to extract the fermentable sugars from the plants, at Sauza first they crush the plants then they cook the liquid.

    The agave is first run through a big roller mill, and then a diffuser, a huge machine that specializes in getting the most of the sugars out of agave. Then this liquid is cooked at 120 degrees Celsius for 4-5 hours.

    This sugary liquid is then fermented super fast- 24 to 26 hours- then it is distilled.

    Distillation for Sauza products takes place first in a column still, where they distill up to anywhere from 24 to 35 percent alcohol depending on the product, and then in a copper-lined stainless steel still up to 56-65%.

    An interesting fact I learned on this trip is about their mixto tequila – tequila distilled from the fermented sugars of at least 51% agave and 49% other sugars, usually sugar cane. However at Sauza, where they do use the minimum 51/49 percent ratio, the sugar used is corn syrup, not sugar syrup.

     

  • La Fortaleza Distillery Visit

    Yesterday I visited the La Fortaleza distillery. This tiny distillery makes 100% tahona tequila, in the heart of the city of Tequila in the Lowlands.

    The distillery was rebuilt in a 100 year old distillery site by Guillermo Sauza, 5th-generation Sauza family. His grandfather sold Sauza to the company who sold it to Jim Beam. Guillermo decided to return to distilling the traditional way.

    The tahona is a volcanic stone wheel that is rolled in a pit to crush baked agave. Most distilleries use a diffuser, rollermill, or a combination of rollermill and tahona.

    The fibers are removed and the sugary water and pulp remain. These are fermented in wooden fermenters.

    Then they are distilled in the tiniest little pot stills.

    The aging room is about as big as a two-bedroom apartment.

    The view from the hill behind the distillery is amazing- they own 80 acres right in the city of Tequila.

    There are caves underneath this hill. In the caves they’ve put a bar. We were in there for a good two hours.

    Short blog post, but an amazing distillery and a great night!

     

  • Visiting Olmeca Altos Distillery

     

    Today we visited the distillery Pedro Domecq, where they make Tezon, Olmeca Altos, and Olmeca tequilas. I wrote about this distillery before on Alcademics. The post is here.

    Tezon is made from 100 percent tahona-milled agave. It is no longer on the US market. Olmeca Altos is a blend of tahona-milled agave and rollermill agave. Olmeca is a mixto and that’s not on the US market.

    Yesterday we visited the agave fields to see the harvest. The fields here in the Highland area around Arandas are about 2300 feet above sea level. The agaves are harvested and then brought to the distillery. they then go into either steam ovens (for the 100% agave products) or cooked in an autoclave for mixto.

    The agave is cooked for 48 hours, then it is shredded, either by a tahona or by a rollermill. This exposes the sugars in the agave so that they can be fermented.

    The tahona is a big stone wheel traditionally used to crush agave. Here they use a mechanized version, which spins the wheel in a circle, while a man follows the wheel raking up the fibers to expose them to further crushing. Then they transfer the wet fibers to the fermentation vats.

     

    The rollermill is a shredding machine that is a bit rougher in its handling of the agave fibers, shredding them into smaller bits so they can get more of the sugars out of the agave. The sugary water from the washed agave fibers from the rollermill is then fermented, as opposed to the tahona agave where the fibers and liquid ferment (and are distilled) together.

    The sugary agave water is then fermented, then distilled. The tahona-processed fermented liquid/solids is distilled on one type of still, and the liquids-only rollermill agave is distilled in a more traditional pot still.

    For Tezon, the tahona tequila is filtered and bottled. For Olmeca Altos they blend together rollermill and tahona tequila before bottling.

     

    Then it was time for the cocktail contest. We’ll cover that in the next post.

     

  • Texture in Cocktails

    This post is sponsored by PAMA pomegranate liqueur, but written by me. 

    Texture in Cocktails

    Flavor and balance are probably the most important components of cocktail quality, but it's the temperature, texture, aroma, strength, and presentation that makes for a wel-rounded drink. I pay a lot of attention to texture in both cocktails and base spirits – for some reason it plays a major role in my enjoyment of a drink.

    In cocktail contests, especially ones with a secret ingredient challenge, bartenders often come up with delicious flavor combinations, but the winning drink takes texture into account: maybe the drink should have been shaken with an egg white, or been stirred to a colder temperature?

    Some Texture Descriptors for Cocktails and Spirits

    • Thick, syrupy, not dilute enough
    • Thin, weak, non-integrated, over-shaken
    • Silky
    • Light
    • Bubbly, fizzy
    • Tannic, astringent
    • Soft, pillowy, foamy, frothy
    • Slushy, viscous, chewy
    • Crunchy
    • Gloppy, chunky

    Methods to Manipulate Cocktail Texture

    Egg Whites – Probably the first thing bartenders think of when they think about texture is adding an egg white. This adds a luscious frothy surface atop a drink. This foam also brings any aromatic ingredients in the drink right up to the drinker's nose. One new favorite trick I found at Clough Club in Vancouver, where they sprinkled dehydrated Campari powder on top of an egg white foam. It was both crunchy and soft. 

    Rims– Rimming a drink with regular or flavored salts or sugars doesn't just add flavor to the drink, it adds texture.

    Temperature –  Cold drinks are more viscous than the same ones warm, but too cold is also problematic. Ever put a Martini or Manhattan in the freezer? The drink turns into a semi-frozen slurry that really detracts from the flavor. You'll also have noticed that a room temperature Sazerac often tastes too sweet. In cocktails, you're never just balancing flavor, you're balancing that flavor with temperature, and this affects texture.

    Also, people who like Martinis and Manhattans shaken often say they like the floating shards of ice on the surface of the drink – could this be a texture preference rather than flavor? 

    Sugar – Diet Gimlets are not very tasty. This isn't just because the gin and lime juice combination will sear your mouth with too much acid, but also because sugar gives the drink a thicker texture. (I haven't tried a Gimlet with an artificial sweetener but would imagine the texture wouldn't be so great as typically you don't need as much as you do sugar.) In modern times, many drinkers are requesting their drinks be "not too sweet" but yet this affects the texture as well. 

    Some solutions to the problems of getting correct sweetness and texture balances may be found in different sugar syrups. As I discussed at my seminar at Tales of the Cocktail and learned from Darcy O'Neill's chapter in the first Journal of the American Cocktail, unheated simple syrup is thicker and less sweet than boiled simple syrup. Thus, controlling ratios of sucrose/glucose/fructose in syrups allows greater control over texture and sweetness. I hope to put up a more in-depth blog post from recent lessons learned about this subject also. 

    Let's also not forget extra-thick sweeteners, like honey and gum arabic can add texture to drinks, while high-sweet sweeteners like agave nectar may reduce it. 

    Dairy – Milk and cream are thicker than water, and citrus, and spirits.  

    Thickeners: Pectin/Gelatin – I haven't studied this topic too much, but gelatin and fruit pectin are just two of many thickening substances that can be added to both food and cocktails to add texture. We all know about the texture of Jell-O shots and jam, and these can help to thicken drinks. Or if you make flavored syrups from high-pectin fruits, these are thicker than regular simple syrup. 

    Tannins – Most associated with wines, tannins are also found in teas, nuts, and in barrel-aged spirits. Also, pomegranate. 

    Pineapple– Pineapple makes drinks foamy/frothy. I'm not sure why that is and/or if you can use that property to make a vegan froth substitute in place of egg whites that doesn't necessarily taste like pineapple froth (that has its own distinct aroma). Has anyone played with this? 

     Ice – Stick a drink in a blender and it changes pretty significantly. Not only does the texture change but also the sweet/sour ratio. Blending is one way to create small ice chunks in a drink, but you can also used crushed ice, shaved ice; or to reduce thickness, big ice or no ice at all. Plus, some people like to chew on the ice for a satisfying crunch. 

     Glassware – While glassware doesn't affect the texture in a cocktail, it sure does affect the presentation and enjoyment of it. Blended drinks are served in large glasses (as there is all that extra ice), mint julep glasses are metal to add a cooling surface temperature and frosty coating to the outside of the glass, and you wouldn't want to serve a stirred Manhattan in a big margarita glass as it would warm up way too fast with a large surface area exposed to the outside. (But if you were drinking it in the Arctic, perhaps that would be a good idea…)

    Bubbles – Clearly, bubbles change the texture of the drink and tickle the tongue. From using sparkling wine, sodas, and other sparkling mixers to carbonating cocktails, there are plenty of ways to add fizz to drinks.

     What have I missed?

    PAMA suggested the topic of this blog post, so let's hear their word on it. 

    "The quality that makes PAMA unique is its texture, which helps to offset the lower alcohol content. PAMA gives drinks a silky finish and makes the drink feel more substantial."

    50/50 PROPOSITION
    Glass: Snifter
    Garnish: Dash Orange Bitters
    Ingredients:1 1/2 oz. PAMA Pomegranate Liqueur
    1 1/2 oz. Cognac

    Method:Combine all ingredients in a chilled mixing glass. Add ice and stir for 40 seconds. Strain into chilled snifter set with 1 large ice cube.

    Eben Freeman's Notes: PAMA's tannic structure allows it to work as a primary spirit, where it balances the strength of the Cognac. It is so well balanced between sweet and tart that it can even work as a primary spirit such as in this cocktail, where it balances the strength of its partner spirit, making it a fully-fledged cocktail with just the addition of a dash of bitters.

    PAMA has a website specifically written for bartenders, with information from Eben Freeman throughout. Check it out at PAMAPros.com

  • Correct Cocktail Carbonation

    In this weekend's story in the San Francisco Chronicle, I wrote about bartenders carbonating cocktails– to order, in bottles, on tap, and in one case with nitrous oxide instead of carbon dioxide. 

    Let's look at the ways bars in the story (and a few places I didn't have room to mention) are carbonating:

    Citrus

    • Starlight Room avoids fresh citrus, saying the carbonation gives it a touch of vinegar tingle, like juice going off.
    • Jasper's Corner Tap uses fresh citrus, but makes the bottled cocktails daily.

    Champagne

    • Chez Papa uses nitrous oxide to charge ingredients that will go into champagne drinks.
    • Spoonbar uses CO2, and throws the sparkling wine into the Perlini shaker along with the other ingredients.

    Gin & Tonic

    • Brasserie S&P uses homemade tonic syrup, charges it with water in iSi canisters, and uses the canisters until they're empty. They say this better integrates the syrup with the fizzy water than just adding a syrup to water in the glass.
    • Tradition uses homemade tonic syrup but puts it in a bottled G&T.

    Long Island Iced Tea

    • Rye (this cocktail is sometimes a nightly special) uses cola syrup plus all the booze and carbonates the drink to order.
    • Tradition barrel ages the liquor, adds cola syrup, and makes a bottled cocktail with it. 

    On Tap

    • Spoonbar adds already-carbonated Mexican coke and spiced rum to a keg, and charges it with another CO2 tank.
    • I'm not positive, but I think other bars mentioned in the story that are making carbonated cocktails put non-carbonated ingredients mixed together in a keg and it pours out with carbonated water, much like a soda dispenser in a restaurant. 

    It seems bars are all still figuring out the 'best practices' for carbonating cocktails, and that makes it all the more exciting for drinkers. 

    p.s. You can also find carbonated cocktails in the Bay Area at Elixir, Garcon and The Hotsy Totsy

    Read my story in the San Francisco Chronicle here.

  • Carbonated Cocktails in the San Francisco Chronicle

    My latest story for the San Francisco Chronicle is now online. I wrote about carbonated cocktails and the many, many different approaches bartenders are taking to make them. 

    Carbonated cocktails proving popular
    By Camper English

    A little fizz can do wonders for a cocktail, making it more aromatic, lighter and a bit more dynamic.Traditionally, drinks get that fizz from mixers like ginger ale, sparkling wine or soda water. But several new carbonating devices have given bartenders the opportunity to add sparkle to almost any drink.

    Carbonating drinks directly "makes a more intense, more flavorful cocktail, as opposed to adding 2 ounces of soda water," says Cappy Sorentino, bar manager at Healdsburg's Spoonbar.

    Read the rest of the story here.

    Chez papa bartender

    At Chez Papa, Adam Chapman makes a Watermelon Carolina Cross using a carbonated cocktail shaker. Photo: The Chronicle / SF

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